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I started Black Banjo Then and Now because I thought Black banjoists I kept meeting online needed to get together. As well, we soon found other banjoists and scholars needed a place to discuss the African origin and Black legacy of the Banjo. We needed a place to express the explosion of African American banjoists including African American Heritage Elder Etta Baker, Taj Mahal, Alvin Youngblood Hart, Guy Davis, Otis Taylor, Sule Greg Wilson, Don Vappie, Dr. Joan, and Rex Ellis, all known in the old-time, blues, classic, and jazz banjo communities.

Jim Carrier  - My Appalachian Music Fellowship study in June 2009 was in furtherance of developing a film documentary dealing with the extinction of the Black Banjo that occurred in the United States during the period 1900-1930. 

Students and fans of bluegrass and old time music, and a great many people with an interest in American folk music, know of the African roots of our beloved banjo. Academics and ethnomusicologists have written extensively on the topic, but the instrument has had precious few practitioners among black Americans in recent history.

Here is a rare occasion for me to share information on a bluegrass band that has an African American Member. It is The Reunion Band out of Boston. Here is the info from their home page reunionbluegrass.com. Their "token" African American member in Richard Brown who plays mandolin.

In the world of musical entertainment many artists sometimes find a love of a musical type outside their cultural sphere. White rappers (jokes in the music industry, for the most part) have managed to carve out a niche by usurping, emulating, and co-opting “black” culture in their “music”. Such artists, however, are tolerated (if not embraced) in that world and many of them (Beastie Boys or Eminem, for example) sell millions of dollars’ worth of product.