- Have I Stayed Away Too Long - Dom Flemons - 2016
- Hot Chicken - Dom Flemons - 2016
- Polly Put the Kettle On - Dom Flemons - 2016
- Going Down the Road Feeling Bad - Dom Flemons - 2016
- Lonesome Old River Blues - Dom Flemons - 2016
- Under the Double Eagle - Adrian Parks - 1973
- Blues Yodel #7 - Don Edwards - 2016
- The Cowboy’s Last Ride - Don Edwards - 2016
- When the Work’s All Done This Fall - Don Edwards - 2016
- My Blue Heaven - Don Edwards - 2016
- Hesitation Blues - Jerron Paxton - 2016
- Mississippi Bottom Blues - Jerron Paxton - 2016
Arthur "Blind" Blake (1896 – December 1, 1934) was an American blues and ragtime singer and guitarist. He is known for numerous recordings he made for Paramount Records between 1926 and 1932. Little else is known about his life.
Little is known of Blake's life. Promotional materials from Paramount Records indicate he was born blind and give his birthplace as Jacksonville, Florida, and it seems that he lived there during various periods. He seems to have had relatives in Patterson, Georgia. Some authors have written that in one recording he slipped into a Geechee or Gullah dialect, suggesting a connection with the Sea Islands. Blind Willie McTell indicated that Blake's real name was Arthur Phelps, but later research has shown this is unlikely to be correct. In 2011 a group of researchers led by Alex van der Tuuk published various documents regarding Blake's life and death in the journal Blues & Rhythm. One of these documents is his 1934 death certificate, which states he was born in 1896 in Newport News, Virginia, to Winter and Alice Blake (his mother's name is followed by a question mark). Nothing else is known of Blake until the 1920s, when he emerged as a recording musician.
Gus Cannon (September 12, 1883 – October 15, 1979) was an American blues musician who helped to popularize jug bands (such as his own Cannon's Jug Stompers) in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874.
Born on a plantation in Red Banks, Mississippi, Cannon moved a hundred miles to Clarksdale, then the home of W. C. Handy, at the age of 12. His musical skills came without training; he taught himself to play a banjo that he made from a frying pan and a raccoon skin. He ran away from home at the age of fifteen and began his career entertaining at sawmills and levee and railroad camps in the Mississippi Delta around the turn of the century.
While in Clarksdale, Cannon was influenced by local musicians Jim Turner and Alec Lee. Turner's fiddle playing in W. C. Handy's band so impressed Cannon that he decided to learn to play the fiddle himself. Lee, a guitarist, taught Cannon his first folk blues, "Po' Boy, Long Ways from Home", and showed him how to use a knife blade as a slide, a technique that Cannon adapted to his banjo playing.
Cannon left Clarksdale around 1907 and soon settled near Memphis, Tennessee, where he played in a jug band led by Jim Guffin. He began playing in Memphis with Jim Jackson. He met the harmonica player Noah Lewis, who introduced him to a young guitar player, Ashley Thompson. Lewis and Thompson later were members of Cannon's Jug Stompers. The three of them formed a band to play at parties and dances. In 1914 Cannon began touring in medicine shows. He supported his family through various jobs, including sharecropping, ditch digging, and yard work, but supplemented his income with music.